Abstract
Our research is an overview of the film music of Cornel Țăranu as a whole, connected to his creation, taking a very brief look at other film music compositions, created by composers like Ștefan Niculescu, Aurel Stroe, Anatol Vieru, Tiberiu Olah, pertaining to the same generation. Considering his film music as an extension of his own life and creation, which keeps the same stylistic coordinates (it. stilema), and also the same melodic or texture coordinates, compositional procedures, timbre-instrumental components – sometimes accompanied by self-quotes, we managed to reveal some sound characteristics of one of the most personal, modern and impactful contemporary composers.

Keywords: sound effects, jazz, variations, musical dynamism, melodic archetypes, musical style, polystyrene, temporality, musical spatialization, cluster, sound curtain, temporality

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