- Sharon Hui Shan How - The Interplay of Coincidence and Intention in Brahms’s Piano Quartet no. 1 in G minor, op. 25, Third Movement
- Cătălin Cernătescu - The Alphabetic Notation and the Anthologion of Petros Manouil Ephesios
- Gabriel Mălăncioiu - Aspects of Numerical Symbolism in the 8th Movement, Nacht, from Arnold Schoenberg’s Pierrot lunaire
- Camelia-Anca Sârbu - Liviu Dănceanu – Quasi-Concerto Op. 12. Analytical Perspectives
- Roxana Seraz - Phantasmagoria and Nonsense. The Poetics of Christian Morgenstern in Dora Cojocaru’s Music